Once you start building walls creating interior spaces,
sound behaves in ways demanding attention. Most architects and “civilians”
don’t consider this crucial aspect of interior design.
Referring to the video above, obviously, I am not criticizing Eero
Saarinen; I love that building. But I’m not setting up monitors in front of the
TWA Terminal, nor would I want to stay there very long.
How do structures affect the sound engineer? In many ways. To
get started, read some material by Wayne Parham regarding wavefront launch when using loudspeakers in a room:
Bass hogs: Parham is one of the leading designers of subs
and here is his method of arraying
them to solve the “room problem:”
Room Modes, Multisubs and Flanking Subs
General info and background reading for above:
High Fidelity Uniform Directivity Loudspeakers
General info and background reading for above:
High Fidelity Uniform Directivity Loudspeakers
Vid was shot under that curved structure, main entry. |
Lovely little lounge has parabolic ceiling which focuses voices back into the center of your skull. |
Reference material "High Fidelity Uniform Directivity Loudspeakers" added above.
ReplyDeleteGreat post, Vin!
ReplyDelete