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| 421, R121 and SM57 on 4x12 guitar cabinet |
I have made arrangements to meet Jay, the drummer of The Break Evens, Tues at 6pm so
he can set up the kit. Session will begin Weds at 4PM. I will post more info on
Tues; band member names, additional readings, etc.... EDIT: The Break Evens:
Jay: Drums/vox, Bass: Mark, GT: Mel. The band is direct from Minneapolis, their previous gig on-tour. Major influence, The Replacements. Band based out of NJ.
Jay: Drums/vox, Bass: Mark, GT: Mel. The band is direct from Minneapolis, their previous gig on-tour. Major influence, The Replacements. Band based out of NJ.
Chain:
-Kck: 414 (attenuate)->VTC->Vin’s 1176
-SubKck: Subkick->VTC 473
-Sn: Sm 57->VTC->DSR(1176)
-SnBtm: 414(attenuate)->VTC 473->
-Hat: 451->C24MP
-HT: 421->C24MP
-MT: as above
-FT: as above
-OH (overhead) L & R: KM184 coincident->DAK
-RM (room): AT2020 (spaced pair)->C24
-SubKck: Subkick->VTC 473
-Sn: Sm 57->VTC->DSR(1176)
-SnBtm: 414(attenuate)->VTC 473->
-Hat: 451->C24MP
-HT: 421->C24MP
-MT: as above
-FT: as above
-OH (overhead) L & R: KM184 coincident->DAK
-RM (room): AT2020 (spaced pair)->C24
-EBass: DI: VTC 473->Vin’s DeMaria Opto
-E GT (DI): VTC 473 (instrument input)->mult*
-E GTmult->PT
-E GTmult->ISO panel->Radial RE-AMP**->GT amp
-E GT (amp) close: Royer R121{RIBBON}->Vin’s DAK->DSR(opto)
-E GT (amp) close: Sennheiser 421->Joemeek VC1Q
-E GT (amp) room: AKG 414 bidirectional with null facing amp->C24MP
-E GTmult->PT
-E GTmult->ISO panel->Radial RE-AMP**->GT amp
-E GT (amp) close: Royer R121{RIBBON}->Vin’s DAK->DSR(opto)
-E GT (amp) close: Sennheiser 421->Joemeek VC1Q
-E GT (amp) room: AKG 414 bidirectional with null facing amp->C24MP
-Vox: L47(fixed
cardioid or hypercardioid))->VTC->DSR(opto)
* A mult is a series of jacks on a patch bay which are internally connected to one another. Therefore, when you plug an output into a mult, it is passively split multiple times, allowing you to patch those jacks (same signal) to different destinations. Our mults are indicated on your patch bay diagrams.
**Read Radial ReAmp manual.
Read, MRT: Re-amping: 147-148; 153-154.
PMT pg: 61-63; 47-54; 39-40.
PMT pg: 61-63; 47-54; 39-40.
Note: GT amp will be in ISO. We will Re amp the bass DI
through the GT amp after the basic tracks are completed. Lets make the main
studio absorptive behind the drums and reflective on the edges. Vox will be an overdub.
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Hmm, re-amping is confusing. Let me see if I got this right: Are we recording the bass tracks before anything else then playing it through GT amp to re-record it?
ReplyDeleteNever mind! Looked over the chain again and answered my own question(s)! :D
Delete: )
ReplyDeleteAlso read: PMT pg: 61-63; 47-54; 39-40.
ReplyDeleteDrums loaded in. Further info about the Break Evens:
ReplyDeleteJay: Drums/vox
Bass: Mark
GT: Mel
Band is direct from Minneapolis, previous gig on tour. Major influence, The Replacements. Band based out of NJ.
GT amp will be Orange Tiny Terror and 2x12" speaker cab.
http://www.orangeamps.com/tiny-terror-series/
Info with links edited into main post.
ReplyDeleteI tried to reschedule my meeting with my boss but her only available time is 3:30 tomorrow. I can be there before then and be back at 4 or 4:15pm. Just need to touch base with her.
ReplyDeleteWho is engineer for this session?
OK, Then let's meet at 4. You are the engineer. You will pick a second. Call the studio line for entry.
ReplyDeleteOk will be there at 4!
Delete